Beginning in the late 1800’s, in the small Boland town of Wellington, and evolving in the old Cape Town suburb of Wynberg (against a backdrop of extreme class- and colour-consciousness both in the UK and the Cape), the well-documented tale of Harry and Martha’s extraordinary cross-cultural romance is a riveting one, which begs to be transformed into an audio- visual medium, and shared with audiences both in this country and abroad.

Had Martha and Harry’s children, John and Lady Mary Grey (in whose veins mingled the blood of both English aristocracy and African slaves) been afforded their rightful dignity and privilege as heirs to one of the most ancient and noble hereditary titles in England, the future of their now-scattered descendents may have been very different. Today, the venerable House of Stamford is no more. In, perhaps, a classic example of Karmic justice, the lineage died out with the last (childless) Earl in 1976, and today, the stately 17th Century Dunham Massey Manor near Manchester belongs to the British National Trust.

For South Africans, the most tangibly significant outcome of Martha’s status as Countess was her determination to create an equal educational opportunity for other ‘coloured’ children, and she donated property and funding for the construction of a modest little schoolhouse, “Martha’s Saal” in the early 1900’s. This living legacy later gave rise to the highly-reputable Battswood School and Teacher Training College - for many years the fertile breeding ground which spawned some of the country’s most illustrious non-white intellectuals and academics, including former principal Dr R.E.(Dicky) van der Ross, who later became rector of UWC and SA Ambassador to Spain. (He has dedicated the last 30 years to researching Harry and Martha’s life story, which is the subject of his biography; “The Black Countess”)

As a scriptwriter/producer of many years standing, it has long been my ambition to create a major international documentary work of substance, relevance, and lasting value that is, above all, a proudly South African product. In Martha Solomons, a simple, local woman who was scorned, reviled and humiliated by the British upper-classes because of her race and origins (and whose contribution to our country has been largely unrecognised), I have found the perfect subject matter. Through the audio-visual medium, I wish to give her, her husband and their children the honour they did not receive in their lifetime.